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Audience of One: Trump, Television, and the Fracturing of America

Audience of One: Trump, Television, and the Fracturing of America

Current price: $17.95
Publication Date: September 15th, 2020
Publisher:
Liveright
ISBN:
9781631498152
Pages:
352

Description

New York Times Book Review • Notable Book of the Year
Washington Post • 50 Notable Works of Nonfiction in 2019

NPR.org • NPR 2019 Concierge
Slate • 10 Best Books of the Year
Chicago Tribune • Best Books of the Year
Publishers Weekly • 10 Best Books of the Year

Audience of One reframes America’s identity through the rattled mind of an insomniac, cable-news-junkie president.New York Times chief television critic James Poniewozik offers a “darkly entertaining” (Carlos Lozada, Washington Post) history of mass media from the early 1980s to today, demonstrating how a volcanic, camera-hogging antihero merged with America’s most powerful medium to become our forty-fifth president. In charting the seismic evolution of television from a monolithic mass medium into today’s fractious confederation of spite-and-insult media subcultures, Poniewozik reveals how Donald Trump took advantage of these historic changes by constantly reinventing himself: from a boastful cartoon zillionaire; to 1990s self-parodic sitcom fixture; to The Apprentice reality-TV star; and finally to Twitter-mad, culture-warring demagogue. Already lauded as a “brilliant and daring” (Annalisa Quinn, NPR) work that defines a generation, Audience of One emerges as a classic in cultural criticism.

About the Author

James Poniewozik has been the chief television critic of the New York Times since 2015. He was previously the television and media critic for Time magazine and media columnist for Salon. He lives in Brooklyn.

Praise for Audience of One: Trump, Television, and the Fracturing of America

The Mueller Report of television criticism! James Poniewozik’s Audience of One is both damning and illuminating, a witty, penetrating exposé of Trump’s most intimate relationship, the one with the medium that made him.


— Emily Nussbaum, television critic for The New Yorker